Claude Monet books

#TITLE#Monet’s Table: The Cooking Journals of Claude Monet#/TITLE#


Monet’s Table: The Cooking Journals of Claude Monet
Customer Review: A Cook’s Paradise.
As a lover of the Impressionist movement, I felt compelled to make the pilgrimage to the house of Claude Monet located a few miles north of Paris in the small town of Giverny, Normandy. Monet’s refuge is a shrine of the art world renowned for its beautiful and expansive garden filled with flowers, trees, a lake and its famous bridge.

When I entered Monet’s home, the dining room made a strong impression upon me: large, very inviting and splashed in yellow as if Monet had tried to capture the strong summer sun to overcome the cloudy winter days of Normandy. The table for twelve was tastefully set with blue and white china with a centerpiece of dazzling fresh flowers, as if beckoning its guests to prepare for a savory adventure to be accompanied by lively discussion. As I passed through the dining room into the kitchen, I noticed that the old, black oven fitted with brass trim and graced with copper pots and pans was still capable of generating warmth, even if the fire went out of it long ago. It was at that moment that I decided to purchase “Monet’s Table: The Cooking Journals of Claude Monet”, and I have reaped far more from this book than the French francs I had traded in return.

In an interview published on November 26, 1900, in “Le Temps”, Claude Monet declared “I am a Parisian of Paris. I was born there in 1840, … I was born incapable of being disciplined. No one was ever able to make me stick to the rules, not even in my youngest days.” Despite this boastful protestation, I am of the personal opinion after having studied his art, visited his home and read books and journals about the artist, that he was, if not disciplined, then certainly dedicated and devoted to the creation of the sensory arts of painting and fine dining in their truest form. These qualities are beautifully illustrated in this cookbook featuring 160 recipes of Monet’s best-loved dishes such as Cezanne’s bouillabaisse, Coquilles Saint-Jacques a la Florentine, Lobster Newburg, duck pate’, chestnut soufflé, crepes made with Cognac, orange and almond cake and even banana ice cream.

The book is comfortably divided into sections including soups, egg dishes, entrees, poultry, meat, game, seafood, desserts and conserves. I personally appreciate the range of simplicity to complexity offered by these recipes that enable me to select from those that are easy and fast to prepare and those that require more time and ingredients, depending upon the time I wish to allot. What I most enjoy sharing with my family and friends is the old world taste and richness of the dishes offered by this book that you do not readily find in most cookbooks. As an added and unexpected bonus, I am transported to a beautiful part of our world, rich in its history and creative in its many art forms that live on in my memory through this book.

The Preface was written in the form of a dedication to Claude Monet in May 1989 by Joel Robuchon, the Jamin Restaurant Chef de Cuisine. He researched the notebook of recipes kept and used by the Monet family for their family meals as well as those prepared for such noteworthy guests as Clemenceau, Renoir, Pissaro, Durand-Ruel and others. Mr. Robuchon adapted these turn of the 19th century recipes to accommodate modern day kitchen equipment that was unavailable at that time. His Preface ends with his grateful appreciation to Mr. Monet for all of his discovery, his generosity, his artistically beautiful and excellent tasting recipes which were a testament to authentic cuisine of the period, and lastly, for Mr. Monet’s legacy to us of living art of every day life. The photography by Jean-Bernard Naudin is excellent. He was assisted by the stylist Nanou Billault in recreating the meals served at Monet’s home; however, the subjects of his photography in this book exceed the replication of beautiful recipes such as foie gras truffe’ en croute (foie gras encased in a crust) and oignons blancs farcis de Charlotte Lyses (stuffed white onions incorporating Gruyere cheese, fresh herbs, and roast pork or chicken). There are photographs of hand-written recipes on paper yellowed with age, framed by broken edges and stained by life’s usage; “la sorbietiere” or the “ice pail” to make the traditional banana ice cream on Christmas Day; Monet’s famed kitchen, dining room and studio; baskets filled with wild mushrooms; a picnic table on the grass under an apple tree; and, of course, photos of many of Monet’s paintings, such as Le Petit Dejeuner painted in 1868, Le Dejeuner Sur L’Herbe painted in 1865, and Les Galettes. For devotees of the artist as well as history buffs, there are also some wonderful original photographs of Monet, including photos of the painter in his car leaving for his weekly trip to the market, in his garden with family members as they greeted the first American painters to his home, and in the company of Georges Clemenceau, former French prime minister, mayor of Mont Martre, author and teacher, in June 1921 on the Japanese bridge surrounded by wisteria. The photography of Monet’s garden is nothing short of breathtaking. I found myself lulled into daydreaming especially while browsing through the photos of the winter scenes of Monet’s garden. One picture displaying the hues of green, blue and icy gray features Monet’s lake surrounded by trees, bushes and tall blades of grass laced with frost. By the landing, there is a lonely rowboat on this mirrored lake with two paddles beckoning you as a passerby to come closer and fill the emptiness created by the chill of winter. As you turn the page to another beautiful winter scene, you can see the renown pink and white house with its vine-covered trellis in the background, and the forefront dominated by the landscaping filled with trees and their green leaves, shrubs, arches and even pink roses, all of which seem to be completely taken by surprise with the early frost clinging to the pink flowers and green leaves as though they were dusted with sugar crystals.

I treasure this book as much for the memories of my visit to Monet’s house and garden as for its insight into the realm of Monet including his time honored recipes.

Customer Review: This book provides a glimpse of Monet’s daily life experienc
I have read this book several times. I get a clear understanding of Monet’s daily habits and routines. I think this allows one to see how he prioritized all details of his life and how painting was an expression of the beauty he was surrounded by. He created social situations and gatherings as well as captured the beauty of the gardens he was responsible for. The untrained eye might believe his paintings were randomly composed and his gardens were random as well. I think he merely had perfected the art of naturally arranging items. He did this in a way that reflected his personality and his loves. He did not impose them on others nor did he allow his choices to be influenced by those arround him. He merely accomodated all the special desires of his family and his friends without leaving his desires out of the picture. A great host and someone I would have found very interesting. He is depicted as demanding and exacting. This book provides many references to the daily life of Claude Monet and the style he created.

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#TITLE#Claude Monet at Vetheuil#/TITLE#


Claude Monet at Vetheuil

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#TITLE#A Blue Butterfly: A Story about Claude Monet#/TITLE#


A Blue Butterfly: A Story about Claude Monet

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#TITLE#Claude Monet 2009 Calendar#/TITLE#


Claude Monet 2009 Calendar

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#TITLE#Monet’s Table: The Cooking Journals of Claude Monet#/TITLE#


Monet’s Table: The Cooking Journals of Claude Monet
Customer Review: A Cook’s Paradise.
As a lover of the Impressionist movement, I felt compelled to make the pilgrimage to the house of Claude Monet located a few miles north of Paris in the small town of Giverny, Normandy. Monet’s refuge is a shrine of the art world renowned for its beautiful and expansive garden filled with flowers, trees, a lake and its famous bridge.

When I entered Monet’s home, the dining room made a strong impression upon me: large, very inviting and splashed in yellow as if Monet had tried to capture the strong summer sun to overcome the cloudy winter days of Normandy. The table for twelve was tastefully set with blue and white china with a centerpiece of dazzling fresh flowers, as if beckoning its guests to prepare for a savory adventure to be accompanied by lively discussion. As I passed through the dining room into the kitchen, I noticed that the old, black oven fitted with brass trim and graced with copper pots and pans was still capable of generating warmth, even if the fire went out of it long ago. It was at that moment that I decided to purchase “Monet’s Table: The Cooking Journals of Claude Monet”, and I have reaped far more from this book than the French francs I had traded in return.

In an interview published on November 26, 1900, in “Le Temps”, Claude Monet declared “I am a Parisian of Paris. I was born there in 1840, … I was born incapable of being disciplined. No one was ever able to make me stick to the rules, not even in my youngest days.” Despite this boastful protestation, I am of the personal opinion after having studied his art, visited his home and read books and journals about the artist, that he was, if not disciplined, then certainly dedicated and devoted to the creation of the sensory arts of painting and fine dining in their truest form. These qualities are beautifully illustrated in this cookbook featuring 160 recipes of Monet’s best-loved dishes such as Cezanne’s bouillabaisse, Coquilles Saint-Jacques a la Florentine, Lobster Newburg, duck pate’, chestnut soufflé, crepes made with Cognac, orange and almond cake and even banana ice cream.

The book is comfortably divided into sections including soups, egg dishes, entrees, poultry, meat, game, seafood, desserts and conserves. I personally appreciate the range of simplicity to complexity offered by these recipes that enable me to select from those that are easy and fast to prepare and those that require more time and ingredients, depending upon the time I wish to allot. What I most enjoy sharing with my family and friends is the old world taste and richness of the dishes offered by this book that you do not readily find in most cookbooks. As an added and unexpected bonus, I am transported to a beautiful part of our world, rich in its history and creative in its many art forms that live on in my memory through this book.

The Preface was written in the form of a dedication to Claude Monet in May 1989 by Joel Robuchon, the Jamin Restaurant Chef de Cuisine. He researched the notebook of recipes kept and used by the Monet family for their family meals as well as those prepared for such noteworthy guests as Clemenceau, Renoir, Pissaro, Durand-Ruel and others. Mr. Robuchon adapted these turn of the 19th century recipes to accommodate modern day kitchen equipment that was unavailable at that time. His Preface ends with his grateful appreciation to Mr. Monet for all of his discovery, his generosity, his artistically beautiful and excellent tasting recipes which were a testament to authentic cuisine of the period, and lastly, for Mr. Monet’s legacy to us of living art of every day life. The photography by Jean-Bernard Naudin is excellent. He was assisted by the stylist Nanou Billault in recreating the meals served at Monet’s home; however, the subjects of his photography in this book exceed the replication of beautiful recipes such as foie gras truffe’ en croute (foie gras encased in a crust) and oignons blancs farcis de Charlotte Lyses (stuffed white onions incorporating Gruyere cheese, fresh herbs, and roast pork or chicken). There are photographs of hand-written recipes on paper yellowed with age, framed by broken edges and stained by life’s usage; “la sorbietiere” or the “ice pail” to make the traditional banana ice cream on Christmas Day; Monet’s famed kitchen, dining room and studio; baskets filled with wild mushrooms; a picnic table on the grass under an apple tree; and, of course, photos of many of Monet’s paintings, such as Le Petit Dejeuner painted in 1868, Le Dejeuner Sur L’Herbe painted in 1865, and Les Galettes. For devotees of the artist as well as history buffs, there are also some wonderful original photographs of Monet, including photos of the painter in his car leaving for his weekly trip to the market, in his garden with family members as they greeted the first American painters to his home, and in the company of Georges Clemenceau, former French prime minister, mayor of Mont Martre, author and teacher, in June 1921 on the Japanese bridge surrounded by wisteria. The photography of Monet’s garden is nothing short of breathtaking. I found myself lulled into daydreaming especially while browsing through the photos of the winter scenes of Monet’s garden. One picture displaying the hues of green, blue and icy gray features Monet’s lake surrounded by trees, bushes and tall blades of grass laced with frost. By the landing, there is a lonely rowboat on this mirrored lake with two paddles beckoning you as a passerby to come closer and fill the emptiness created by the chill of winter. As you turn the page to another beautiful winter scene, you can see the renown pink and white house with its vine-covered trellis in the background, and the forefront dominated by the landscaping filled with trees and their green leaves, shrubs, arches and even pink roses, all of which seem to be completely taken by surprise with the early frost clinging to the pink flowers and green leaves as though they were dusted with sugar crystals.

I treasure this book as much for the memories of my visit to Monet’s house and garden as for its insight into the realm of Monet including his time honored recipes.

Customer Review: This book provides a glimpse of Monet’s daily life experienc
I have read this book several times. I get a clear understanding of Monet’s daily habits and routines. I think this allows one to see how he prioritized all details of his life and how painting was an expression of the beauty he was surrounded by. He created social situations and gatherings as well as captured the beauty of the gardens he was responsible for. The untrained eye might believe his paintings were randomly composed and his gardens were random as well. I think he merely had perfected the art of naturally arranging items. He did this in a way that reflected his personality and his loves. He did not impose them on others nor did he allow his choices to be influenced by those arround him. He merely accomodated all the special desires of his family and his friends without leaving his desires out of the picture. A great host and someone I would have found very interesting. He is depicted as demanding and exacting. This book provides many references to the daily life of Claude Monet and the style he created.

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#TITLE#Claude Monet: Life and Art#/TITLE#

Claude Monet: Life and Art
Customer Review: Excellent!
This book gives a very good over view of his life and work. What he went through to get to where he became well known. This books is well illustrated with work that is not well known and several of his more well known work.

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#TITLE#The Magical Garden of Claude Monet (Anholt’s Artists)#/TITLE#


The Magical Garden of Claude Monet (Anholt’s Artists)
Customer Review: Nice idea
This is a nice idea to encourage young children to take an interest in the visual world, and an early introduction to the Impressionists. Problem is that Anholt’s sub-Monet illustrations are a bit on the feeble side compared with the real thing, and I wonder whether the publishers might have done better to use real Monet reproductions and just retain Anholt’s text.

Still, let’s not nitpick. This is an imaginative, laudable book that will appeal to the young reader.

Customer Review: The Magical Garden of Claude Monet
This is a fantastic colourful book. My 6 year old daugher has read it several times along with other books from the same author. It provides a simple introduction to the artist for children and provides wonderful illustrations. I would highly recommend it.

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#TITLE#Artists’ Gardens: From Claude Monet to Jennifer Bartlett#/TITLE#


Artists’ Gardens: From Claude Monet to Jennifer Bartlett

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#TITLE#Claude Monet: The Colour of Time (Classic Paperback)#/TITLE#


Claude Monet: The Colour of Time (Classic Paperback)
Customer Review: A wonderful rediscovery of an artist
We are all so familiar with Monet’s most famous images that it is easy to think you know the artist from dreamy paintings of landscapes in summer,populated by timeless people. I am not an art critic or high brow intellectual, but responded to this book as a wonderful journey through the development of a painter, from early days of struggling to find a market, to success, to striving to represent the world around him in the purest form.

Does anyone know if Impression:Sunrise has been found, since it was stolen from the Musee Marmottam some years ago - I saw it as a student, and sat in that small, relatively unknown museum for two hours just looking at it.

Anyway, this is a lovely, interesting and beautiful book, which I have already sent copies of to my friends. Buy it.

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#TITLE#Colour of Time: Life and Works of Claude Monet#/TITLE#

Colour of Time: Life and Works of Claude Monet

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#TITLE#Claude Monet: The Magician of Colour (Adventures in Art): The Magician of Colour (Adventures in Art)#/TITLE#


Claude Monet: The Magician of Colour (Adventures in Art): The Magician of Colour (Adventures in Art)

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#TITLE#Claude Monet, 1840-1926. Text by Margaretta Salinger. Reproductions. With a portrait (Fontana Pocket Library of Great Art. no. A25.)#/TITLE#

Claude Monet, 1840-1926. Text by Margaretta Salinger. Reproductions. With a portrait (Fontana Pocket Library of Great Art. no. A25.)

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#TITLE#Claude Monet: Catalogue Raisonne (Jumbo)#/TITLE#


Claude Monet: Catalogue Raisonne (Jumbo)

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#TITLE#Claude Monet: Life and Art#/TITLE#


Claude Monet: Life and Art
Customer Review: Excellent!
This book gives a very good over view of his life and work. What he went through to get to where he became well known. This books is well illustrated with work that is not well known and several of his more well known work.

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#TITLE#Claude Monet (Artists in their World)#/TITLE#


Claude Monet (Artists in their World)

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#TITLE#Claude Monet (The Life & Work Of…) (The Life & Work of…S.)#/TITLE#

Claude Monet (The Life & Work Of…) (The Life & Work of…S.)

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#TITLE#Monet’s Cookery Notebooks: Claude Monet’s life at Giverny and personal recipe collection#/TITLE#

Monet’s Cookery Notebooks: Claude Monet’s life at Giverny and personal recipe collection

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#TITLE#Claude Monet: The Magician of Colour (Adventures in Art)#/TITLE#


Claude Monet: The Magician of Colour (Adventures in Art)

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Claude Monet books

#TITLE#The Magical Garden of Claude Monet (Anholts Artists) (Anholts Artists)#/TITLE#


The Magical Garden of Claude Monet (Anholts Artists) (Anholts Artists)
Customer Review: Nice idea
This is a nice idea to encourage young children to take an interest in the visual world, and an early introduction to the Impressionists. Problem is that Anholt’s sub-Monet illustrations are a bit on the feeble side compared with the real thing, and I wonder whether the publishers might have done better to use real Monet reproductions and just retain Anholt’s text.

Still, let’s not nitpick. This is an imaginative, laudable book that will appeal to the young reader.

Customer Review: The Magical Garden of Claude Monet
This is a fantastic colourful book. My 6 year old daugher has read it several times along with other books from the same author. It provides a simple introduction to the artist for children and provides wonderful illustrations. I would highly recommend it.

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#TITLE#Claude Monet: Sunshine and Waterlilies: Sunshine and Waterlilies (Smart about the Arts)#/TITLE#


Claude Monet: Sunshine and Waterlilies: Sunshine and Waterlilies (Smart about the Arts)

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Claude Monet Documentary

This is a biography of the famous Impressionist painter, Claude Monet, which I made using FinalCut Pro.

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Claude Monet

Monet was literally the “boss” of impressionism movement in the history of art, because it was a painting he did in 1872, titled “Impression, Sunrise”, which had a baffled art critic pick out the word “impression” to describe, at the time, the relatively new art trend. The soundtrack in this piece is the first 3 minutes and 45 seconds of Chopin’s “Piano Concerto No. 1 In E minor, Op.11: Romance - Larghetto”.

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MONET CLAUDE term papers, research papers on MONET CLAUDE, essays …

1883 Monet settled at Giverny where he created a magnificent garden. This garden was the inspiration for most of his later work and inspired the series Water Lilies and the Japanese Bridge (begun in 1899). As age and deteriorating eyesight descended upon the artist his works lost almost all sense of form and are now referred to as ‘Abstract Impressionism’. C?zanne once said that Monet was “only an eye, but my God, what an eye.” Monet died on December 5, nearly blind?he was known to have said that he “feared the dark more than death.”
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Monet Painting

In 1874 Monet and his colleagues decided to appeal directly to the public by organizing their own exhibition. The press derisively labeled them “Impressionists” because their work seemed sketchy and unfinished (like a first impression) and because one of Monet’s paintings at the exhibition bore the title Impression: Sunrise (1872, Mus?e Marmottan, Paris). Monet’s compositions from this time were extremely loosely structured, and the colour was applied in strong, distinct strokes as if no reworking of the pigment had been attempted. This technique was calculated to suggest that the artist had indeed captured a spontaneous impression of nature. During the 1870s and 1880s Monet gradually refined this technique, and he made many trips to scenic areas of France, especially the Mediterranean and Atlantic coasts, to study the most brilliant effects of light and colour possible.>
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National Award Winning Author and Webmistress, Rae Monet

In the late 1860’s Monet continued to study landscape painting working with Courbet at Trouville and working frequently with Renoir at Le Grenouillere. It was at Le Grenouillere, that the first pure Impressionist painting took form. It was a radical departure from academic standards.

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ArtLex on Impressionism: Claude Monet

Claude Monet is generally considered to be the most outstanding figure among Impressionists. Monet’s art is based on the use of color to draw the motive without resorting to line. Monet was using short brush strokes, which often looked rather like spots of paint, not lines. This was a completely new way of painting that became the mark of Impressionism. He also produced series of paintings depicting the same scene at various times of day. His intention was to portray the different atmosphere engendered by the light at different times of day. The full version of this pack includes 270 high-quality images for your desktop. A free wallpaper utility, MoodBook, will draw pictures from this pack on your desktop, creating the wonderful look and feel of an original art gallery full of great works of art… Stormy Seascape, The Beach at Sainte-Adresse, Flowers and Fruit, Houses of Parliament, and many more
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Royal Academy of Arts - The New York Times - Narrowed by 'MONET …

In 1874 Monet and his colleagues decided to appeal directly to the public by organizing their own exhibition. The press derisively labeled them “Impressionists” because their work seemed sketchy and unfinished (like a first impression) and because one of Monet’s paintings at the exhibition bore the title Impression: Sunrise (1872, Mus?e Marmottan, Paris). Monet’s compositions from this time were extremely loosely structured, and the colour was applied in strong, distinct strokes as if no reworking of the pigment had been attempted. This technique was calculated to suggest that the artist had indeed captured a spontaneous impression of nature. During the 1870s and 1880s Monet gradually refined this technique, and he made many trips to scenic areas of France, especially the Mediterranean and Atlantic coasts, to study the most brilliant effects of light and colour possible.>
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Royal Academy of Arts - The New York Times - Narrowed by 'MONET …

Monet, Claude

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Works by MONET, Claude-Oscar

Monet’s Waterlilies
Today as the news from Selma and Saigon
poisons the air like fallout,
I come again to see
the serene, great picture that I love.

Here space and time exist in light
the eye like the eye of faith believes.
The seen, the known
dissolve in iridescence, become
illusive flesh of light
that was not, was, forever is.

O light beheld as through refracting tears.
Here is the aura of that world
each of us has lost.
Here is the shadow of its joy.

Robert Hayden

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